Shuji

C'e' anche il Pinguino, non e' buttata li' a caso

A volte mi chiedo se ogni volta che qualcuno di questi intervistatori improvvisati fa qualche accostamento su Eva, non viene colto da imbarazzo per chiederselo anche davanti al frigorifero aperto....

(Randomc non ha hotlinking, tu la vedevi perche' l'hai in cache ^^ )

E' un prequel, e alla fine si riconnette con la storia, quindi non c'e' bisogno di sapere altro ^^

Quel sito non fa hotlinking, (si ok, lo so c'e' scritto, lol) e non riesco a recuperare l'immagine, se metti l'url semplice magari te la metto io ^^

sisi prima volevo fare un discorso 'generale', non chiedevo nello specifico a te, come poi e' stato ^^

No Game No Life: Zero, il film. Davvero niente male.

Ichigo che paragonava il gruppo alle stelle cadenti e' un'autogufata che levati, ad esempio.

https://djiphotoacademy.com/will-drones-replace-my-nikons/ Will Drones Replace Nikons in My Camera Bag?by Randy Jay Braun | Feb 7, 2018 | Drone Photo Tips, Drones & the Photo Industry For the past 35 years, I have earned a comfortable living from professional photography; creating images for corporate clients, families, art galleries, and for mass media distribution. I understand the needs of my clients, and shoot to the specifications of the finished deliverable product. This means if I need to produce a large print, I will select a camera with a large sensor. Alternatively, if I understand that the final image will be used for web marketing, I will not be nearly as concerned with the size and number of pixels on the sensor behind my lens. Will drones begin to replace Nikons in my camera bag? Are drone cameras really professional tools now? What is going on here? Captured with the DJI Mavic Air Here is my typical scenario as a professional photographer who is incorporating aerial drones into my offerings… I get a call from a corporate client – a resort hotel which just added 100 more rooms into a new wing and an awesome infinity pool overlooking the coastline. (Phone rings) “Hello? Yes I am available next week. Sure, I can get that shot for you. Do you know about drones?” A moment of awkward silence ensues. “Did you know I am an FAA licensed drone operatorand have my Certified Drone Photographer accreditation as well as insurance for your job?” Captured with The Mavic Pro The client is the marketing director and has heard of drones, but is skeptical it would work for his higher-level marketing campaign. “No, I won’t need a helicopter”, I promise. “Yes, I will bring my Hasselblad gear and tripod just in case. I’ll meet you at 4:30pm and we will shoot after sunset.” The client agrees. Then I add, “I will give you an iPad and you can direct the shots you want. You will be amazed.” The client is still skeptical and wants samples and pricing. I ask him an important question, “How will you use the finished images?” He tells me the photo they want will be used for website marketing of the resort remodel. Perfect! The key word was website. This means a small camera and small sensor are more than adequate for the job. I then quote the client a half-day rate which equals roughly six hours at $150 per hour. I add in the $45 for Verifly insurance. I figure this job will take me an hour or two on location with drones, and maybe 2 more hours of post-processing and an hour of travel. My bill will be about $950 plus tax for a very simple job. On the shoot day, I naturally show up more gear than I need. This is mostly for show. Hasselblad case Nikon Case Tripods Inspire 1 X5 case Phantom 4 Pro case Mavic Air case I know fully well that the Hasselblad with 50 Megapixels is way overkill for a web photo, and the wrong camera for this particular shoot, but I flash it to the client nonchalantly to communicate to him that I am a professional. After scouting around the location through the viewfinder of my Nikon with different lenses, I assure the client that there is no angle from the ground, and I prefer to use a drone camera. He approves. I put the Phantom 4 Pro in the air for him to watch. I teather it to a longer cable so he can actually guide my shot. I see his excitement growing. He is sold on drones after about one minute. The Phantom 4 Pro is my go-to drone for safe professional work. I love the 1″ sensor because it gives me the flexibility of deeper processing and less noise in low light. Also, on occasion I use my Inspire 1 X5 camera when I have plenty of open space or need a longer lens. I find myself using my Inspire drones less and less, for professional stills. Captured on the Photographer’s “go-to” drone, the Phantom 4 Pro. I take back my ipad and get to work for the client. Generally I know the shot will look best from a low altitude of about 50 feet. My routine is to continue to explore all angles as I slowly move closer to the subject. Also, I wait for the light to soften. When I find that perfect point of view, I take a moment to land swap out to a new battery. After finding that spot in the sky again, I capture multiple images as the sun lowers. The swimming pool lights finally turn on with the surrounding building interior lights. The perfect moment comes when the ambient sky is equal to the brightness of the interior lights. That is the moment to shoot. It lasts about 5 minutes at best. What about the tiny new DJI Mavic AIR? Is it now officially part of my professional camera bag! Heck yes! I am being totally honest here. In fact I have already landed two professional jobs this week simply by posting a couple images taken with the Mavic AIR! I am unsure whether the Mavic AIR will replace my Mavic Pro I love both. What is the Mavic Air best for? In my opinion, it is the drone to use when safety, noise, and confidentiality are concerns. If I arrive at a location to shoot, and I am feeling uneasy about flying as the licensed drone operator, or uneasy about how other people will view my drone, then the smallest & least obtrusive drone will come out of my camera bag. Consider this to be the fact at wedding receptions, family and senior portraits, local sports events and festivals. The 12 megapixel camera works great, especially for bright daytime scenarios. That is more than enough to get a great image to the web! Do we want a larger sensor in today’s small drones? YES, of course! But the trade-off is a larger camera body with heavier glass, stronger gimbal, larger motors, more noise, etc. Todays drones are a balancing act in size versus camera quality. Jumping back to my original question above; “Will drones replace the Nikons in my professional camera bag?” The answer in my case is yes. It already happened nearly four years ago with the Phantom 2 Vision, when I started selling aerials as quickly as I sold my traditional tripod-based cameras. And yes, I speak as a successful career-long professional photographer. My return clients are now asking me for aerials first, because they are craving that never-before-seen perspective of the same ‘ol subjects. Go ahead and roll your eyes if you want; I dare you to wait.

Perche' sei cosi' sicuro che non schiattera' nessuno? ^^

Dunque... facciamo due conti... https://store.google.com/product/chromecast_audio?hl=it ho collegato sta scatoletta di circa 30 euro a un paio di casse Beolab 6000 del 1992 (tralasciamo allora quanto costassero) Mi collego con smartphone e da pc con una certa quantita' di servizi streaming, tipo appunto Spotify, da casa. Se mi gira di continuare a sentire un brano in studio, con lo sumafo mi collego al Denon e continuo a suonarlo. Diro' di piu', volendo potrei prendere l'esatto stesso oggetto, ma non apple, per i vari punti accumulati (e' uno speaker bluetooth cubico) Per quale strano motivo dovrei prendere sto qua per eppol? p.s. affianco a questo, ho collegato allo stereo una scatoletta bluetooth, quindi volendo passo o dalle casse da sole o tramite lo stereo.

Vabbe', vige anche la regola non scritta del: "Episodio di calma prima della tempesta".

02 e' poco espansiva rispetto alla mia pazza preferita.

Se a qualcuno interessa qualcosa su 'Figlia Mia'...

Dev'essere in un tour a vendere le sue action figure.

Ep.7 Sempre sia lodato l'episodio balneare © P.s. Nuovi significati dei nomi: Ichigo = colei che rosica potentemente. p.s. la tipa s'e' appena fatta una gufata fuori dal normale anche intendendola come 'death flag'. 'assomigliamo a quelle comete passeggere'. minc*a

Io prenderei con tanto, tanto, tanto, Grano Salis, le parole che provengono dagli americani che sono in difficolta' verso questi competitor, tra poco mi aspetto che dicano che i cinesi magnano i bambini.

Del resto l'unico modo in cui puo' capire i propri sentimenti per la persona 'amata' e' proprio per via della sua assenza. Fintanto che lo considera 'presente' (ma solo idealmente) non potrebbe capire i propri sentimenti, del resto poi 'rinchiusi' in una figura idealizzata

Bella puntata, l'unica e' che i personaggi maschili stanno iniziando a sembrarmi un po' troppo simili.

So' giapponesi Pero' c'e' anche kono sekai

Settimana 12-18 Febbraio (2018) Blu-ray *1.　5,088　**5,088　Houseki no Kuni Vol.3 *2.　3,850　**3,850　Kekkai Sensen & Beyond Vol.3 *3.　1,643　*46,007　Love Live! Sunshine!! 2nd Season Vol.2 Special Limited Edition *4.　1,538　**1,538　Boku no Hero Academia 2nd Vol.8 *5.　1,260　**1,260　Himouto! Umaru-chan R Vol.3 *6.　*,942　***,942　Yowamushi Pedal: Re:Generation *7.　*,524　*13,056　The iDOLM@STER SideM Vol.2 Limited Edition *8.　*,432　**5,044　Poputepipikku Vol.1 *9.　*,431　*23,674　Mahouka Koukou no Rettousei Movie: Hoshi wo Yobu Shoujo Limited Edition 10.　*,369　*11,895　Fate/kaleid liner Prisma☆Illya Movie: Sekka no Chikai Limited Edition 11.　*,302　**9,694　Senki Zesshou Symphogear AXZ Vol.5 Limited Edition (cut-off 302) DVD *1.　1,447　**1,447　Houseki no Kuni Vol.3 *2.　1,281　**1,281　Keifuku-san *3.　1,176　**1,176　Yowamushi Pedal: Re:Generation *4.　*,951　***,951　Boku no Hero Academia 2nd Vol.8 *5.　*,403　117,429　Tonari no Totoro *6.　*,310　**4,062　The iDOLM@STER SideM Vol.2 Limited Edition *7.　*,303　341,721　Kimi no Na wa. Standard Edition *8.　*,273　**8,859　Sore Ike! Anpanman: Buruburu no Takarasagashi Daibouken! *9.　*,261　***,261　Himouto! Umaru-chan R Vol.3 10.　*,246　*23,869　Granblue Fantasy The Animation Vol.7 Limited Edition 11.　*,228　*11,699　Gekijouban Pocket Monster: Kimi ni Kimeta! Regular Edition 12.　*,205　*22,477　Granblue Fantasy The Animation Vol.6 Limited Edition 13.　*,204　*52,491　Majo no Takkyuubin 14.　*,182　**7,798　One Piece Log Collection "Sabo" (eps.679-695) 15.　*,177　*19,590　Doraemon Movie 37: Nobita no Nankyoku Kachikochi Daibouken 16.　*,167　*19,283　Granblue Fantasy The Animation Vol.4 Limited Edition 17.　*,167　**1,476　Gekijouban Meitantei Conan: Baker Street no Bourei 18.　*,162　*12,368　Doraemon Movie 33: Nobita no Himitsu Dougu Museum Super Price Edition 19.　*,156　*19,441　Granblue Fantasy The Animation Vol.4 Limited Edition 20.　*,150　*14,873　Doraemon Movie 26: Nobita no Kyouryuu 2006 Super Price Edition (cut-off 150) CD Single *1.　244,765　*,244,765　Hey! Say! JUMP "Mae wo Muke" *2.　114,359　*,114,359　Uta no☆Prince-sama♪ Maji Love Kingdom Movie IN "Ultra Blast" by ST☆RISH *5.　*22,053　*,*22,053　IDOLiSH7 OP "WiSH VOYAGE" by IDOLiSH7 (Inclu. in "WiSH VOYAGE / Dancing∞BEAT!!") *6.　*18,816　*,*18,816　Macross Δ Movie: Gekijou no Walküre IN "Walküre wa Uragiranai" *7.　*18,112　*,*18,112　Misako Uno (AAA) "Doushite Koishite Konna" 12.　*13,655　*,*13,655　Gouka! Goukai!? Phantom Thief! by Hello, Happy World! 14.　*11,743　*,*11,743　Takunomi. OP "aventure bleu" by Maaya Uchida 16.　*11,037　*,*11,037　Detective Conan ED "Kamikaze Express" by Takuto x Miyakawa-kun 17.　**9,799　*,**9,799　THE IDOLM@STER SideM 3rd ANNIVERSARY DISC 02 by FRAME / Mofumofuen / F-LAGS 18.　**8,707　*,**8,707　Tetsuya Kakihara "DIAMOND BEAT" 19.　**8,260　*,**8,260　Mrs. GREEN APPLE "Love me, Love you" 21.　**6,494　*,**6,494　Zoku Touken Ranbu: Hanamaru OP6/ED6 "Hanamaru Shirushi no Hi no Moto de ver.6/ "Hanairo Koromoi" by Yamatonokami Yasusada (CV: Mitsuhiro Ichiki) & Kashuu Kiyomitsu (CV: Toshiki Masuda) w. Guest Vocals: Samonji Sayo (CV: Ayumu Murase), Uguisumaru (CV: Tetsuya Kakihara), Kunihiro Horikawa (CV: Junya Enoki), Kanesada Izuminokami (CV: Ryouhei Kimura), Tarou Tachi (CV: Yuuki Tai), Jirou Tachi (CV: Eiji Miyashita) / Samonji Souza (CV: Yuuki Tai), Samonji Sayo (CV: Ayumu Murase), Samonji Kousetsu (CV: Takuya Satou) (Zoku Touken Ranbu: Hanamaru Kayoushuu Sono Roku) 22.　**5,829　*,320,333　SKE48 "Muishiki no Iro" 23.　**5,454　*,**5,454　Ayaka & Daichi Miura "Heart Up" 27.　**4,085　1,062,256　Nogizaka46 "Itsuka Dekiru kara Kyou Dekiru" 30.　**2,935　*,*32,672　THE IDOLM@STER MILLION THE@TER GENERATION 04 "Princess Be Ambitious!!" by Princess Stars 33.　**2,063　*,**2,063　DISCOVER DISCOVER by Keigo Atobe (CV: Junichi Suwabe) 34.　**2,042　*,**2,042　Valentine Kiss by Kiyosumi Sengoku (CV: Kousuke Toriumi) with Yamabuki Junior High 37.　**1,922　*,215,455　KinKi Kids "Topaz Love / DESTINY" (Time Bokan: Gyakushuu no San Akunin ED "Topaz Love" & OP "DESTINY") 40.　**1,544　*,*14,330　Poputepipikku OP "POP TEAM EPIC" by Sumire Uesaka 42.　**1,455　*,**6,900　Zoku Touken Ranbu: Hanamaru OP5/ED5 Hanamaru Shirushi no Hi no Moto de ver.5 "Michiyuki, Yoriai" by Yamatonokami Yasusada (CV: Mitsuhiro Ichiki) & Kashuu Kiyomitsu (CV: Toshiki Masuda) w. Guest Vocals: Kunitoshi Aizen (CV: Seiichirou Yamashita), Masakuni Doudanuki (CV: Tooru Sakurai), Kuninaga Tsunimaru (CV: Soma Saito), Toushirou Hirano (CV: Ryouta Asari), Toushirou Honebami (CV: Yuto Suzuki), Toushirou Atsushi (CV: Daiki Yamashita) / Kotetsu Hachisuka (CV: Kazuyuki Okitsu), Kotetsu Urashima (CV: Jun Fukushima), Kotetsu Nagasone (CV: Tarusuke Shingaki) (Zoku Touken Ranbu: Hanamaru Kayoushuu Sono Go) 43.　**1,413　*,**1,413　Karakai Jouzu no Takagi-san OP "Iwanai kedo ne." by Yuiko Oohara 45.　**1,372　*,*17,235　Hey-day Capricio by Afterglow 47.　**1,281　*,**7,021　THE IDOLM@STER STELLA MASTER 01 Vertex Meister by Chihaya Igarashi (CV: Asami Imai), Ritsuko Akizuki (CV: Naomi Wakabayashi), Makoto Kikuchi (CV: Hiromi Hirada), Takane Shijou (CV: Yumi Hara), Hibiki Ganaha (CV: Manami Numakura) 49.　**1,179　*,*12,498　Cardcaptor Sakura: Clear Card-hen OP "CLEAR" by Maaya Sakamoto 52.　**1,059　*,**1,059　Yowamushi Pedal: Glory Line OP "Boku no Koe" by Rhythmic Toy World 53.　**1,034　*,**5,549　Yuru Camp△ OP "SHINY DAYS" by Asaka 55.　***,956　*,*17,675　Yura Yura Ring-Dong-Dance by Pastel*Palettes 57.　***,928　*,*18,477　Wagakki Band "Yukikage Boushi" 60.　***,877　*,319,354　Hey! Say! JUMP "White Love" (Live-Action Miseinen dakedo Kodomo ja Nai Movie Theme Song) 61.　***,875　*,*16,754　Gakuen Babysitters OP "Endless happy world" by Daisuke Ono 62.　***,863　*,149,720　NEWS "LPS" 64.　***,825　*,***,825　Yowamushi Pedal: Glory Line ED "Carry the Hope" by THE HIGH CADENCE 66.　***,807　*,**3,978　Yuru Camp△ ED "Fuyubiyori" by Eri Sasaki 69.　***,790　*,**6,438　Butlers: Chitose Momotose Monogatari OP "Growth Arrow" by OLDCODEX 75.　***,727　*,*42,520　Love Live! Sunshine!! 2nd Season IN "WATER BLUE NEW WORLD/WONDERFUL STORIES" 82.　***,666　*,**9,233　Zoku Touken Ranbu: Hanamaru OP4/ED4 "Hanamaru Shirushi no Hi no Moto de ver.4" / "Medetashi Tsukurigoto" by Yamatonokami Yasusada (CV: Mitsuhiro Ichiki) & Kashuu Kiyomitsu (CV: Toshiki Masuda) w. Guest Vocals: Toushirou Naozuo (CV: Soma Saito), Kanesada Kasen (CV: Kaito Ishikawa), Samonji Souza (CV: Yuuki Tai), Toushirou Yaken (CV: Seiichirou Yamashita), Mitsutada Shokudaikiri (CV: Takuya Satou), Gokotai (CV: Yuuta Kasuya) / Kunihiro Yamanbakiri (CV: Tomoaki Maeno), Shishiou (CV: Ryota Osaka), Kogarasumaru (CV: Soichiro Hoshi) (Zoku Touken Ranbu: Hanamaru Kayoushuu Sono Yon) 84.　***,640　*,*24,903　THE IDOLM@STER CINDERELLA MASTER Koikaze -Aya- by Kaede Takagaki (CV: Saori Hayami) 87.　***,623　*,**4,350　Kana Hanazawa "Haru ni Aisareru Hito ni Watashi wa Naritai" 88.　***,619　*,**2,531　Overlord II ED "HYDRA" by MYTH＆ROID 89.　***,598　*,**3,481　Mahoutsukai no Yome OP "You" by May'n 91.　***,593　*,*14,844　THE IDOLM@STER SideM 3rd ANNIVERSARY DISC 01 "Reversed Masquerade / Tone’s Destiny / Symphonic Brave" by Cafe Parade / Altessimo / Legenders 94.　***,579　*,*14,235　Youko Oginome "Dancing Hero The Archives" 96.　***,560　*,**7,027　JUJU "Tokyo" (cut-off 533) CD Album *3.　*22,906　*,*22,906　SCANDAL "HONEY" *4.　*14,348　2,123,186　Namie Amuro "Finally" (incl. One Piece OP "Hope") *5.　*11,694　*,*11,694　Ling Tosite Shigure "#5" 11.　**7,087　*,**7,087　Nothing's Carved in Stone "Mirror Ocean" 13.　**6,090　*,**6,090　BoA "Watashi Konomama de Ii no kana" 16.　**4,228　*,*20,703　Uta no☆Prince-sama♪Shining Masterpiece Show Trois: Tsurugi to Kizuna no Monogatari by Camus (CV: Tomoaki Maeno), Shou Kurusu (CV: Hiro Shimono), Ai Mikaze (CV: Shouta Aoi) (Drama CD) 18.　**3,754　*,297,771　Kenshi Yonezu "BOOTLEG" 20.　**3,545　*,**3,545　Megumi Nakajima "Curiosity" 22.　**3,049　*,**3,049　Mezase Aikatsu Budoukan! Let's☆Sugoroku Taikai! by Various Artists (incl. Aikatsu Stars! ED "Mori no Hikari no Pirouette" by Sena and Ruka from AIKATSU☆STARS!) (Drama CD) 23.　**3,042　*,**3,042　Akai Ko-en "Sekihan" 30.　**2,364　*,*70,198　Little Glee Monster "juice" 33.　**2,193　*,*31,343　Golden Bomber "Killer Tune shika Nee yo" 36.　**2,104　*,*51,446　UNISON SQUARE GARDEN "MODE MOOD MODE" 38.　**2,048　*,**2,048　ClassicaLoid MUSIK Collection Vol.5 by Various Artists 41.　**1,989　*,*22,108　YUKI "Suteki na 15-sai" 43.　**1,918　*,*11,152　THE IDOLM@STER MILLION LIVE! M@STER SPARKLE 06 by Julia (CV: Aimi a.k.a Aimi Terakawa), Nao Yokoyama (CV: Yui Watanabe), Chizuru Nikaidou (CV: Kanako Nomura), Ayumu Maihama (CV: Megumi Toda), Noriko Fukuda (CV: Nana Hamasaki) 46.　**1,720　*,127,626　Nogizaka46 "Boku dake no Kimi ~Under Super Best~" 54.　**1,343　*,*89,495　Wagakki Band Kiseki BEST COLLECTION+ 56.　**1,236　*,**1,236　Sayonara Ponytail "Kimi wa Boku no Uchuu" 59.　**1,153　*,**5,895　Yasutaka Nakata "Digital Native" 60.　**1,139　*,583,772　AKB48 "Bokutachi wa, Ano Hi no Yoake wo Shitteiru" 67.　**1,021　*,*77,563　EGOIST GREATEST HIT 2011-2017 "ALTER EGO" 72.　***,924　*,*61,958　Nana Mizuki "THE MUSEUM III" (incl. Basilisk: Ouka Ninpouchou EDs "HOT BLOOD" & "Suiren") 73.　***,869　*,*25,217　Uta no☆ Prince-sama♪ Shining Masterpiece Show "Lost Alice" by Natsuki Shinomiya (CV: Kishou Taniyama), Reiji Kotobuki (CV: Shoutarou Morikubo), Masato Hijirikawa (CV: Kenichi Suzumura), Ranmaru Kurosaki (CV: Tatsuhisa Suzuki) (Drama CD) 79.　***,837　*,***,837　Hironobu Kageyama BEST Kage-chan Pack ~Kimi to Boku no Daishinkou 80.　***,804　*,**8,625　Weekly Shounen Jump 50th Anniversary Best Anime Mix Vol.1 by Various Artists 86.　***,772　*,141,779　Kenshi Yonezu "YANKEE" 87.　***,763　*,931,193　Yomi Matsutoya 40th Anniversary Best Album Nihon no Koi to, Yuumin to. 93.　***,704　*,224,757　KinKi Kids "The BEST" 94.　***,692　*,***,692　Hironobu Kageyama "Dare ga Cover Yanen Anisong Show" 95.　***,690　*,*11,340　Love Live! Sunshine!! 2nd Season OST "Journey to the Sunshine" by Tatsuya Katou 99.　***,678　*,352,502　ONE OK ROCK "Ambitions" (cut-off 677) p.s. Tokyo Anime Awards (2018) http://animefestival.jp/ja/post/8467/ Animation of the Year Kono Sekai no Katasumi ni (Film) Kemono Friends (Television) Fan Award Yuri!!! on Ice (Television) (altri) Best Director: Tatsuki (Kemono Friends) Best Script & Original Story: Kinoko Nasu (the Fate series) Best Animator: Takahiro Kishida (Keifuku-san) Best Art, Color, and Film: Nobutaka Yoda (Tobidasu PriPara: Mi~nna de Mezase! Idol☆Grand Prix) Best Sound and Performance: Yuki Kajiura (Princess Principal) (Onorari) Singer: Kumiko Oosugi (Attack No.1) Art Director: Shouhei Kawamoto (Doraemon (1979)) Seiyuu: Kiyoshi Kobayashi (the Lupin III series) Director: Tsutomu Shibayama (Doraemon Movies), Gisaburou Sugii (Touch) Animation Director: Masami Suda (the Hokuto no Ken series) Producer: Yoshio Takami (Ginga Tetsudou 999) Scriptwriter: Hiroyuki Hoshiyama (Mobile Suit Gundam) Sound Director: Yasunori Honda (Macross: Do You Remember Love?) Studio Establisher: Kouichi Motohashi, deceased (Flanders no Inu) Animation History Researcher: Yasushi Watanabe (Japan Animation Movie History)

Dall'inizio, poi saltella avanti Inviato dal mio SM-T285 utilizzando Tapatalk

Aprasi le danze sul live action di Full Metal Alchemist, 'the live'. Tra i doppiatori non ci sta novara (cfr. tags) e io gia' sono contento cosi'. Il doppiaggio in se' non e' male. Il film in se' e' fondamentalmente inutile visto tutto il materiale fin qua generato tra serie e film. Eppero' non e' male. A vobis Questi i doppiatori del film:

Prima ho postato un pezzo di uno storico sull'argomento. Ne riporto un frammento " For the two centuries that followed the Haitian Revolution, artists and authors have drawn from Haiti, Ethiopia and visions of free African nations to dream in paintings, sculptures, books, songs, plays, films and, yes, even comic books. With the rumblings of decolonization coursing through Africa and the Caribbean, the painter Jacob Lawrence completed 41 separate works capturing the establishment of a free Haiti, his Toussaint L’Overture series (1937-38). The very same year, the historian C. L. R. James released Black Jacobins, a book almost cinematic in its detail, and which still stands, for many, as the definitive account of the Haitian Revolution. James’ book fell out of print after a decade, only to go back into production at the urging of black American readers and in response to the cresting black activism of the 1960s. In short order, Black Jacobins provided the foundation for the first-ever comic book treatment of Toussaint’s life and Haiti’s founding, Golden Legacy No. 1. That book came in 1966, the very year two white New Yorkers first decided to imagine “the King of the Wakandas.” Though Jewish and no doubt attuned to the value of homelands, neither Stan Lee nor Jack Kirby had even been to Africa (and it showed). But neither had Lawrence nor James, in their respective landmark achievements, ever been to Haiti. Dreams to art to life, and back again. As African-descended people and their artistic allies continued to rewrite what the imagined black person or place could be in the last third of the 20th century, they revised — both directly and indirectly — Wakanda’s first quirky imagining at Marvel. In time, a jungle of metal trees and over-compensating, two-dimensional men gave way to a more sumptuous, grounded world in which black interior lives glitter as richly as Wakanda itself. The most recent takes by Ta-Nehisi Coates, Roxane Gay and other creative teams have peppered Marvel’s pages with black feminist character development and Easter eggs to scholarly books about slavery, Haiti and Reconstruction. And almost as if writing social history, they’ve made King T’Challa and those around him question whether we, living beyond the fourth wall, should want a black king at all. Seeing the Wakanda of comics brought to life, audiences will rightfully swoon at Black Panther’s costumes, “authentic” accents and visual effects. Still, we’d do well to remember there’s nothing “African” about the movie, as least not in any historical sense. It’s a mashup of Africanisms. Thus, we ought not to let it stand in for the people and countries of Africa. The film’s glorification of an isolated black kingdom — mono-crop economy and all — decouple it, too, from Haiti, for what that’s worth. They tried that there, after all — a beleaguered response to more than a half-century of blockades and denied diplomatic recognition following independence. " In definitiva; non e' questione di 'razzismo', ma di riferimento culturale e storico preciso; un film sulla fondazione dello stato di Israele, avrebbe come target un israeliano; altri lo possono vedere, ma e' fatto per loro. Un film sull'ipotetica fondazione di un Kurdistan, vedasi i curdi. Qua siamo di fronte, da un lato alla fondazione di uno stato 'black'; dall'altro, questo stato e' 'utopico' (e immaginario); cosi' come vediamo che di fondo ha la realta' della fondazione dello stato di Haiti. In soldoni; non e' un qualcosa che mi interessi.

Sarebbe windows che gira su processori ARM?