Boyd

LOL! :lolla:

Ti ringrazio ma non sono preoccupato: nonostante le ironie perculatorie, Nolan è comunque un regista interessante. Per es., non mi disturba affatto l'inclusione di Bane perchè può essere fatto in mille modi differenti e credo anche di intuire dove Nolan voglia andare a parare dato il tema del doppio/simulacro/emulazione introdotto nel secondo film.

Il sempre sublime Matthew Vaughn sconfessa ufficialmente la famigerata foto di gruppo: "Sono andato in panico ieri. Non so da dove diavolo venga. Non penso che sia opera della Fox perchè non è una foto approvata. Quando l'ho scoperto, ho detto: cosa cazzo è questa merda (testuale, ndr), e la Fox sta cercando di capire cosa sia accaduto. E' un brutto photoshop che non riflette il film. Ero scioccato quando l'ho vista, Gesù Cristo!". Inoltre Vaughn certifica che i costumi giallo-blu sono a malapena presenti nel film, quelli principali si ispirano ad un'estetica anni '60 a-la James Bond e il reboot ha più attinenza concettuale con Casino Royale che Star Trek di Abrams.

Tranquillo, puro cazzeggio: perchè così serioso? Sono assolutamente orgoglioso di aver aperto un thread per "Er Cavaliere Nero s'arza".

Facciamo un recap di cosa ci attende tra il 2011 e 2012: 2011: May 6 - Thor Jun 3 - X-Men: First Class Jun 17 - Green Lantern Jul 1 - Transformers: Dark of the Moon Jul 22 - Captain America: The First Avenger Jul 29 - Cowboys & Aliens Aug 19 - Conan 2012: Feb 17 - Ghost Rider: Spirit of Vengence May 4 - The Avengers May 25 - Men in Black 3 Jun 8 - John Carter of Mars Jun 29 - Star Trek 2 Jul 3 - Spider-Man Reboot Jul 20 - Batman: The Dark Knight Rises Dec ? - Superman Reboot

THE DARK KNIGHT RISES Uscita: 20 luglio 2012 Regia: Er Trottola Sceneggiatura: Jonathan Nolan Storia: David Goyer & Er Trottola Score: Hans Zimmer Produzione: Er Trottola & Trottolina CAST: Christian Bale: Bruce/Batman Tom Hardy: Bane Anne Hathaway : Selina Kyle Joseph Gordon Lewitt: Gary Oldman: Jim Gordon Morgan Freeman: Lucius Fox Michael Caine: Alfred Joseph Gordon-Levitt: Alberto Falcone

Dio, Hammond è davvero terribile: sembra un pornostar anni '70 (moustache inquietante).

Annunciati i remake di: Quella sporca dozzzina Il mucchio selvaggio Arma Letale Westworld

Prime immagini di X-Men: First Class e foto di gruppo in hi-res:

Agghiaccianti gnius sul fronte Batman Trottolato: la terrificante Anne Hathaway è Catwoman. Tom Hardy è Bane. :huh:

Parli del diavolo...intervista fapperrima a Kevin Bacon (famo er tifo ): What can you tell us about your character, Sebastian Shaw, and how he figures into the plot? You don't see much [of his backstory] in the movie, but he's kind of a self-made man. He lost his father as a young man, made his first million by the time he was 30 and first billion by time he was 40. He's a very powerful billionaire and also, as it turns out, a mutant. He's the leader of the Hellfire Club, which is a nightclub for the rich and extremely powerful. And he has a plot to take over the world, so that's really fun. He's incredibly good at manipulating people and at taking whatever kind of energy or ability they have and using it to his advantage, like if he's talking to a German, he's fluent in German. He's very charming and able to get whatever he wants. Is your look changing for the film? My look is very different from the guy in the comic books. :furioso: We decided pretty early on that that was not going to translate to film. But there's a certain kind of style to the suits that I wear, but I don't have anything extreme in the makeup department. When you first meet me -- I don't want to spoil it -- but when you first meet me, I look a little different. Matthew Vaughn was planning a big action scene in a rotating room, but scrapped it after he saw 'Inception,' and said he needed to go bigger. How has he topped it? I'm trying to think what scene that was. I remember hearing something about that, but I'm not sure if that was online or actually from Matthew. But we do have a really, really super cool scene in a hall of mirrors and that's going to be really spectacular. What's the craziest-looking mutant or mutant power that will get audiences talking? That's hard to say because when you do a movie like this, so much of this stuff is happening in post. There were some practical things, like it's no secret that Magneto has the power to move and bend metal and the way that's handled right from the first scene in the movie is going to be really cool. It's something we haven't seen in any other movie so far. The movie is set in the '60s: Is Vaughn going for a swinging '60s, James Bond look? There is an element of that, certainly to my character. I've got some pretty nice pads and I'm kind of slick in that way. I don't think it's visually, in terms of camera moves, it's not trying to recreate that. But it has an element of that. The set design is fantastic. I've only seen the sets that I've been on and they are really interesting and very '60s modern and super cool, and beautiful. I have one set that's kind of like an inner sanctum and then I also have a submarine; the inside of the sub has elements of my other set. I have my own set of style and wanted to translate it over to my board room and stuff. It's great. I love the way it looks. What's the coolest part of the film? That's hard for me to say, not having seen the movie. But I think the youth of the movie, that is really exciting. You've got Jennifer Lawrence (Mystique) and Zoë Kravitz (Angel) and James McAvoy (Professor Xavier) and all these young actors who are about to explode. When you see them become what we know of as the X-Men, to me, that's really cool. The visual stuff, I can't say, until I've seen the effects. But from a plot standpoint, watching the creation of that kind of elite squad and yet they're all in this college dorm room kind of atmosphere, where there's romances and drunken parties and people become friends and then they have a falling out. I think all that stuff is going to be really cool. All of these movies deliver something other than just another airplane blowing up because there's interesting stuff going on between the characters. What was the most fun part of playing this character? I have a really newfound appreciation for those actors, Heath Ledger, Johnny Depp, Robert Downey Jr., and Hugh Jackman, that are able to work within this kind of genre with all the green screen and create great, memorable performances. It's very difficult; for me the most fun is always connecting on a scene and working with another actor to try to make that scene work. There was a scene near the end of the film between me and Michael Fassbender (Magneto) and the scene was okay, but I don't think either one of us was figuring it out. So Matthew let us spend a weekend up at his house and really figured it out from an acting standpoint, what this moment really means between these two. And that's the fun stuff. Hanging from a crane is fun too, but not as fun as actually connecting with another actor. Sorry, ma la mia fiducia in Vaughn è ancora putente!

Niente J.Jonah Jameson per il reboot di Spider-Man. Ecco perchè non era ancora stato annunciato alcun attore per il ruolo. Comunque so' perplesso. E allora che c'azzecca Betty Brant? Ma c'è poi Betty Brant? Nun ce sto a capì più gnente!

Joe Johnston se la canta e se la suona da solo: (ma forse il film non sarà un disastro) “I watched the movie for the first time a few days ago and I just looked at the first cut and there is so much entertainment value — it’s just flat-out fun to watch,” Johnston said of his Marvel Studios film. “Maybe I’m somewhat biased — I was there [when we made it] — but, seriously, it’s funny, it’s exciting and there’s great visual effects. The movie is going to be something more than people are expecting. This movie is going to surprise some people. It is the origin story of Captain America but it is also something rare — it’s a period superhero film but there’s great action in it. You don’t normally think of guys driving around in 1939 sedans in an action film but there are some great action beats in it. It’s just a helluva lot of fun to watch.” “All actors bring something unexpected to the role because they have to translate what’s on the page and make a real character out of the black-and-white text that’s there in the script. I hadn’t worked with Chris Evans and I wasn’t really that familiar with his work and I didn’t know what to expect. I was blown away by the subtlety that he brought to the role. It was really exciting to watch him. He added layers to the character that were not on the page and layers that were not in the comic books. He made Steve Rogers into a real flesh-and-blood character and it was fantastic to watch.”

Avete sollevato tutti le mie stesse perplessità (compreso quel burlone di Sciuggi ). E' anche vero che è impossibile esprimere una qualsivoglia opinione per quanto l'immagine è indecifrabile e insignificante (certo che la Fox quando ci si mette...). Per ora mi sento di dire che mi piace che i costumi siano finalmente colorati e con uno schema cromatico che arriva dritto dalle prime storie di Lee & Kirby. January Jones vale da sola il prezzo del biglietto (sarà che sono un fan di Mad Men). Non capisco perchè Erik Lehnsherr, sia pur pre-Magneto, indossi l'uniforme degli X-Men. Significativa l'assenza di Kevin Bacon/Sebastian Shaw (probabilmente è una carta che non vogliono ancora giocare). Meglio per loro che rilascino subito qualcosa di significativo che il backlash è stato particolarmente terrificante. Un boomerang peggiore non si poteva apparecchiare. EDIT: la Fox ha fatto rimuovere la foto: come dire, damage control?

Il cast di X-Men: First Class: (certo che potevano scegliere qualcosa di più ficcante per un debutto così importante e atteso)

Ormai il sottotitolo è la reale star e impagabile attrazione del thread!

Niente occhi grandi. :( Ergo decade la teoria Ultimate e si conferma l'impianto Ditkiano.

Beh, dopo l'ovvio sottotesto frozzio del primo film (che generò un celebre dibattito qui sul forum... ) era alquanto inevitabile la deriva drag.

Ne è stato appena annunciato un sequel: più che altro sono contento per Warren Ellis benchè, verità va detta, è molto ma molto liberamente ispirato al suo one-shot.

Marrazzo andrà letteralmente fuori di testa per Sherlock Holmes 2: http://www.youtube.com/watch?v=YmbZRN-0FaQ&feature=player_embedded

Vero. Fossi stato un executive, pur'io non avrei mai dato il greenlight. Ahimè.

Per la verità non si parlava delle qualità recitative dell'attrice ma del fatto che Green Lantern possa essere terribile.

Fuor di contesto può sembrare sia il suo manager a parlare, si tratta invece di un generico agente hollywoodiano interrogato sulle potenzialità cinematografiche dell'attrice.

Ho paura, ho tanta paura: avevo dei timori in proposito ma pensavo il mio fosse un eccesso di zelo. Chiaro che possono anche solo essere chiacchiere in libertà: Green Lantern A "Troubled Production" And "Terrible" Movie? :ph34r:

Che poi è quello che fu fatto per un certo periodo salvo poi innestare brusca retromarcia dopo feroce levata di scudi. Comunque, originariamente, la storyline del clone avrebbe dovuto durare solo 1 anno ma l'abnorme successo commerciale costrinse la Marvel ad andare avanti per anni e anni con i risultati disastrosi che tutti conosciamo (la resuscita di Norman Osborn per es., che a tutt'oggi non ho ancora digerito). :fash1: :fash1: :fash1: :fash1: :fash1: