Jump to content

NEWS, PREVIEW Etc Dagli STATES!!!


Joker

Recommended Posts

  • 3 weeks later...
Spoiler

 È ritornato? E diventerà davvero di nuovo lo Spidey ufficiale? Ok il revival dei '90, ma...

...Ben Reilly!?

:trek:

Che poi sono affezionato a quelle vecchie (eh, già) storie... A parte che qualche idea buona c'era, buona parte dei team creativi era di livello.

Cioè, c'era Sienkiewicz fisso su Spectacular... :o

Edited by Den-chan
Link to comment
Share on other sites

è più che evidente come sia una cosa temporanea.

Probabilmente per dare una "pausa" a Peter, che francamente dopo tutti i casini recenti ne ha bisogno.

Ma la cosa VERAMENTE interessante non è il ragno titolare, ma la BEYOND CORPORATION....

 

 

ah, per chi vuole un po' di He-Man divertente: leggetevi l'annual di Guardians of the Galaxy appena uscito

Edited by sirtao
  • Like 1
Link to comment
Share on other sites

https://bleedingcool.com/comics/james-tynion-iv-to-tell-secret-history-of-dc-comics-5g-on-substack/

Qualcuno sta per smerciare info

Quote

And now on his Substack subscription service, he is about to reveal the secret DC History of 5G. Bleeding Cool is very aware we only got the crumbs off the table of what was planned. What will James reveal? He writes on Substack today;

  • I am immensely proud of what I've done on the Batman title, and the stories I was able to tell, particularly with Jorge Jimenez and Guillem March over the last two years… But I've also been pretty blunt in saying that the process of working on the book, especially in the beginning, was really f-cking rough.
  • Every head inside the company was turning toward what was going to be the 5G publishing initiative, but what the rules and details of that initiative entailed were changing rapidly week to week. And the priorities of Batman kept changing, rapidly, with them. One week the book was going to be coming out monthly, the next week it was going to be coming out twice-a-month, and then it was going to be monthly for part of the year, and twice-monthly the rest of the year, and then fully twice-monthly again. Key story pieces I asked for kept getting taken away, and some of the decisions of where they wanted to take the character of Batman and his relationship with the characters around him ran fully counter to everything I believed about the character. I had to work on the fly, because the goal posts were shifting as issues were written and turned in and were being drawn.
  • There's a weird kind of zen mode I hit in and around that time, where I let go of the things I couldn't control and began to focus on the ones I could. The biggest reason I leaned into new characters was that none of the powers that be at DC had any preconceived notions about my new characters so they couldn't give me shifting mandates about any of them. And once I started letting go of everything I couldn't control, I found a new rhythm and a new energy that got readers really really excited, and taught me a lot about what works in Superhero comics in a way I never really saw before. At least not clearly.
  • So, I thought that I would spend the next few months telling THAT story, while you read the conclusion to my Batman run in the Fear State event.
  • I think a lot of creators don't like to show the sausage-making process. A lot of fans would rather believe that the stories come fully cooked, ready to go out the door, but it's rarely that way. Writing in a mainstream superhero universe requires you to be deft on your feet and adapt to a hundred different masters who want wildly different things from you. Half of the job requires you to be a politician, and the other half requires you to be a kind of mathematician. There's a strange mystic algebra to all of it that becomes a bit second nature after you're doing it for a while, and frankly, I'm probably going to lose that when I fully leave mainstream superhero books. There is this joy to solving a story problem that you had no control over existing, in a way that satisfies you and the players who threw the wrench at you in the first place. I don't know that I'm going to miss it, but learning to be quick on my feet and how to problem-solve superhero stories is how I became the writer I am today. And I'm proud of the way I ducked and weaved between the wrenches thrown at me over the years.
  • So, fuck it. I'm going to show off my original plans, talk about the wrenches that got thrown at those plans, and how I adapted and maneuvered around each of them. I'll talk about what I was planning on taking over before I got the Batman gig. I'm going to show you the things I pitched for 5G, and the reasons I stopped pitching things for 5G, and what I pitched instead (Hey there, DC vs Vampires!). I'll show you the different iterations of my Batman pitch, and how I came up with The Designer and his original secret identity. And a lot more…
  • And I'll talk a lot about everything I've learned about Batman and Gotham City over ten years of working on the character and his world.
  • These posts are going to run weekly, on Wednesdays. We'll dive in in earnest next week with my thoughts on Batman's continuity, which is really how I started cooking up everything I've done over the last few years.

 

 

Link to comment
Share on other sites

Todd McFarlane on why King Spawn #1 sales are so high and what Spawn can do that Marvel and DC can't

short story: le copie fisiche di king spawn 1 prenotate (non quelle vendute) dai negozianti sono così tante da metterlo in competizione con i più venduti di marvel e dc.

a parte, in usa esce su BD l'edizione rimasterizzata di superman TAS. di bello c'è che comprando il cofanetto, che non costa certo una follia e nel giro di qualche mese anche questo andrà giù del 40% come quello dei vari batman (109 eps di batman TAS a 44 dollari :pazzia:), è incluso il digital code. senza contare che le varie serie di superman e batman stanno pure su HBO max...

prendessero esempio i nostri editori ;D

Edited by Roger
Link to comment
Share on other sites

23 minutes ago, Roger said:

Todd McFarlane on why King Spawn #1 sales are so high and what Spawn can do that Marvel and DC can't

short story: le copie fisiche di king spawn 1 prenotate (non quelle vendute) dai negozianti sono così tante da metterlo in competizione con i più venduti di marvel e dc.

a parte, in usa esce su BD l'edizione rimasterizzata di superman TAS. di bello c'è che comprando il cofanetto, che non costa certo una follia e nel giro di qualche mese anche questo andrà giù del 40% come quello dei vari batman (109 eps di batman TAS a 44 dollari :pazzia:), è incluso il digital code. senza contare che le varie serie di superman e batman stanno pure su HBO max...

prendessero esempio i nostri editori ;D

Avevo letto qualche tempo fa. Volevo recuperarla da Amazon USA, ma conscio del fatto che mi arriverà ammaccata perché... Beh, è Amazon, ho desistito. Aspetto esca su Zavvi o Amazon UK/Es/FR(almeno il reso è più facile). 

 

Todd potrebbe anche far uscire il secondo compendio di Spawn invece di gongolare... 

Edited by Chocozell
Link to comment
Share on other sites

14 minutes ago, onirepap said:

ma Brian ha cancellato i numeri di telefono dei redattori Marvel

quelli che di notte correggono le sceneggiature ed i disegni di nascosto, senza dirlo agli scrittori (che se ne accorgono ad albo stampato)? :lolla:

Link to comment
Share on other sites

  • 4 weeks later...

mhhhhhhh però la situazione mi pare diversa da quella di superman se ricordo bene loro crearono il personaggio per i fatti loro ed andarono dalla DC, ditko le sue creazioni le fece lavorando per la marvel non so se si applicano le stesse norme.

 

comunque sarebbe un casino spezzettare i diritti così

Link to comment
Share on other sites

1 hour ago, mtpgpp said:

mhhhhhhh però la situazione mi pare diversa da quella di superman se ricordo bene loro crearono il personaggio per i fatti loro ed andarono dalla DC, ditko le sue creazioni le fece lavorando per la marvel non so se si applicano le stesse norme.

 

comunque sarebbe un casino spezzettare i diritti così

Non credo succederà, come hai detto tu, spiderman e Strange sono nati all’interno della redazione Marvel, adirittura esiste una prima versione disegnata da Jack Kirby ma che fu scartata perché troppo muscolare per rappresentare un adolescente, in più tempo fa mi sono preso il volume con tutte i numeri di Amazing Fantasy, e ho notato che spesso e volentieri gli stessi identici character design venivano usati in differenti storie , come in una con una coppia di anziani che di fatto erano Ben e May Parker, o una storia dove di fatto si introduce i mutanti ed il protagonista telepate è praticamente Peter Parker esattamente come lo disegnò Ditko nella sua prima apparizione 

EDIT

Ho giusto trovato questo character design di Kirby

main-qimg-0454a2103715f727490921988c6df0

Edited by onirepap
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Recently Browsing   0 members

    No registered users viewing this page.

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.